Atlantis

In the Atlantic Ocean

The location of Atlantis in the Atlantic Ocean has a certain appeal given the closely related names. Popular culture often places Atlantis there, perpetuating the original Platonic setting as they understand it. The Canary Islands and Madeira Islands have been identified as a possible location,[85][86][87][88] west of the Straits of Gibraltar, but in relative proximity to the Mediterranean Sea. Detailed studies of their geomorphology and geology have demonstrated, however, that they have been steadily uplifted, without any significant periods of subsidence, over the last four million years, by geologic processes such as erosional unloading, gravitational unloading, lithospheric flexure induced by adjacent islands, and volcanic underplating.[89][90]

Various islands or island groups in the Atlantic were also identified as possible locations, notably the Azores.[87][88] Similarly, cores of sediment covering the ocean bottom surrounding the Azores and other evidence demonstrate that it has been an undersea plateau for millions of years.[91][92] The area is known for its volcanism however, which is associated with rifting along the Azores Triple Junction. The spread of the crust along the existing faults and fractures has produced many volcanic and seismic events.[93] The area is supported by a buoyant upwelling in the deeper mantle, which some associate with an Azores hotspot.[94] Most of the volcanic activity has occurred primarily along the Terceira Rift. From the beginning of the islands' settlement, around the 15th century, there have been about 30 volcanic eruptions (terrestrial and submarine) as well as numerous, powerful earthquakes.[95] The island of São Miguel in the Azores is the site of the Sete Cidades volcano and caldera, which are the byproducts of historical volcanic activity in the Azores.[96]

The submerged island of Spartel near the Strait of Gibraltar has also been suggested.[97]

Ireland

In 2004, Swedish physiographist Ulf Erlingsson[98] proposed that the legend of Atlantis was based on Stone Age Ireland. He later stated that he does not believe that Atlantis ever existed but maintained that his hypothesis that its description matches Ireland's geography has a 99.8% probability. The director of the National Museum of Ireland commented that there was no archaeology supporting this.[99]

In Europe

Map showing hypothetical extent of Doggerland (c. 8,000 BC), which provided a land bridge between Great Britain and continental Europe

Several hypotheses place the sunken island in northern Europe, including Doggerland in the North Sea, and Sweden (by Olof Rudbeck in Atland, 1672–1702). Doggerland, as well as Viking Bergen Island, is thought to have been flooded by a megatsunami following the Storegga slide of c. 6100 BC. Some have proposed the Celtic Shelf as a possible location, and that there is a link to Ireland.[100]

In 2011, a team, working on a documentary for the National Geographic Channel,[101] led by Professor Richard Freund from the University of Hartford, claimed to have found possible evidence of Atlantis in southwestern Andalusia.[102] The team identified its possible location within the marshlands of the Doñana National Park, in the area that once was the Lacus Ligustinus,[103] between the Huelva, Cádiz, and Seville provinces, and they speculated that Atlantis had been destroyed by a tsunami,[104] extrapolating results from a previous study by Spanish researchers, published four years earlier.[105]

Spanish scientists have dismissed Freund's speculations, claiming that he sensationalised their work. The anthropologist Juan Villarías-Robles, who works with the Spanish National Research Council, said, "Richard Freund was a newcomer to our project and appeared to be involved in his own very controversial issue concerning King Solomon's search for ivory and gold in Tartessos, the well documented settlement in the Doñana area established in the first millennium BC", and described Freund's claims as "fanciful".[106]

A similar theory had previously been put forward by a German researcher, Rainer W. Kühne, that is based only on satellite imagery and places Atlantis in the Marismas de Hinojos, north of the city of Cádiz.[97] Before that, the historian Adolf Schulten had stated in the 1920s that Plato had used Tartessos as the basis for his Atlantis myth.[107]

Other locations

Several writers, such as Flavio Barbiero as early as 1974,[108] have speculated that Antarctica is the site of Atlantis.[109][110][page needed] A number of claims involve the Caribbean, such as an alleged underwater formation off the Guanahacabibes peninsula in Cuba.[111] The adjacent Bahamas or the folkloric Bermuda Triangle have been proposed as well. Areas in the Pacific and Indian Oceans have also been proposed, including Indonesia (i.e. Sundaland).[112][page needed] The stories of a lost continent off the coast of India, named "Kumari Kandam", have inspired some to draw parallels to Atlantis.[113][page needed]

Literary interpretations

Ancient versions

A fragment of Atlantis by Hellanicus of Lesbos

In order to give his account of Atlantis verisimilitude, Plato mentions that the story was heard by Solon in Egypt, and transmitted orally over several generations through the family of Dropides, until it reached Critias, a dialogue speaker in Timaeus and Critias.[114] Solon had supposedly tried to adapt the Atlantis oral tradition into a poem (that if published, was to be greater than the works of Hesiod and Homer). While it was never completed, Solon passed on the story to Dropides. Modern classicists deny the existence of Solon's Atlantis poem and the story as an oral tradition.[115] Instead, Plato is thought to be the sole inventor or fabricator. Hellanicus of Lesbos used the word "Atlantis" as the title for a poem published before Plato,[116] a fragment of which may be Oxyrhynchus Papyrus 11, 1359.[117] This work only describes the Atlantides (the daughters of Atlas), however, and has no relation to Plato's Atlantis account.

In the new era, the third century AD Neoplatonist Zoticus wrote an epic poem based on Plato's account of Atlantis.[118] Plato's work may already have inspired parodic imitation, however. Writing only a few decades after the Timaeus and Critias, the historian Theopompus of Chios wrote of a land beyond the ocean known as Meropis. This description was included in Book 8 of his Philippica, which contains a dialogue between Silenus and King Midas. Silenus describes the Meropids, a race of men who grow to twice normal size, and inhabit two cities on the island of Meropis: Eusebes (Εὐσεβής, "Pious-town") and Machimos (Μάχιμος, "Fighting-town"). He also reports that an army of ten million soldiers crossed the ocean to conquer Hyperborea, but abandoned this proposal when they realized that the Hyperboreans were the luckiest people on earth. Heinz-Günther Nesselrath has argued that these and other details of Silenus' story are meant as imitation and exaggeration of the Atlantis story, by parody, for the purpose of exposing Plato's ideas to ridicule.[119]

Utopias and dystopias

The creation of Utopian and dystopian fictions was renewed after the Renaissance, most notably in Francis Bacon's New Atlantis (1627), the description of an ideal society that he located off the western coast of America. Thomas Heyrick (1649-1694) followed him with "The New Atlantis" (1687), a satirical poem in three parts. His new continent of uncertain location, perhaps even a floating island either in the sea or the sky, serves as background for his exposure of what he described in a second edition as "A True Character of Popery and Jesuitism".[120]

The title of The New Atalantis by Delarivier Manley (1709), distinguished from the two others by the single letter, is an equally dystopian work but set this time on a fictional Mediterranean island.[121] In it sexual violence and exploitation is made a metaphor for the hypocritical behaviour of politicians in their dealings with the general public.[122] In Manley's case, the target of satire was the Whig Party, while in David Maclean Parry's The Scarlet Empire (1906) it is Socialism as practised in foundered Atlantis.[123] It was followed in Russia by Velemir Khlebnikov's poem The Fall of Atlantis (Gibel' Atlantidy, 1912), which is set in a future rationalist dystopia that has discovered the secret of immortality and is so dedicated to progress that it has lost touch with the past. When the high priest of this ideology is tempted by a slave girl into an act of irrationality, he murders her and precipitates a second flood, above which her severed head floats vengefully among the stars.[124]

A slightly later work, The Ancient of Atlantis (Boston, 1915) by Albert Armstrong Manship, expounds the Atlantean wisdom that is to redeem the earth. Its three parts consist of a verse narrative of the life and training of an Atlantean wise one, followed by his Utopian moral teachings and then a psychic drama set in modern times in which a reincarnated child embodying the lost wisdom is reborn on earth.[125]

In Hispanic eyes, Atlantis had a more intimate interpretation. The land had been a colonial power which, although it had brought civilization to ancient Europe, had also enslaved its peoples. Its tyrannical fall from grace had contributed to the fate that had overtaken it, but now its disappearance had unbalanced the world. This was the point of view of Jacint Verdaguer's vast mythological epic L'Atlantida (1877). After the sinking of the former continent, Hercules travels east across the Atlantic to found the city of Barcelona and then departs westward again to the Hesperides. The story is told by a hermit to a shipwrecked mariner, who is inspired to follow in his tracks and so "call the New World into existence to redress the balance of the Old". This mariner, of course, was Christopher Columbus.[126]

Verdaguer's poem was written in Catalan, but was widely translated in both Europe and Hispano-America.[127] One response was the similarly entitled Argentinian Atlantida of Olegario Victor Andrade (1881), which sees in "Enchanted Atlantis that Plato foresaw, a golden promise to the fruitful race" of Latins.[128] The bad example of the colonising world remains, however. Jose Juan Tablada characterises its threat in his "De Atlántida" (1894) through the beguiling picture of the lost world populated by the underwater creatures of Classical myth, among whom is the Siren of its final stanza with

her eye on the keel of the wandering vessel
that in passing deflowers the sea's smooth mirror,
launching into the night her amorous warbling
and the dulcet lullaby of her treacherous voice![129]

There is a similar ambivalence in Janus Djurhuus' six-stanza "Atlantis" (1917), where a celebration of the Faroese linguistic revival grants it an ancient pedigree by linking Greek to Norse legend. In the poem a female figure rising from the sea against a background of Classical palaces is recognised as a priestess of Atlantis. The poet recalls "that the Faroes lie there in the north Atlantic Ocean/ where before lay the poet-dreamt lands," but also that in Norse belief, such a figure only appears to those about to drown.[130]

A land lost in the distance

A Faroe Islands postage stamp honoring Janus Djurhuus' "Atlantis"

The fact that Atlantis is a lost land has made of it a metaphor for something no longer attainable. For the American poet Edith Willis Linn Forbes (1865-1945), "The Lost Atlantis" stands for idealisation of the past; the present moment can only be treasured once that is realised.[131] Ella Wheeler Wilcox finds the location of "The Lost Land" (1910) in one's carefree youthful past.[132] Similarly, for the Irish poet Eavan Boland in "Atlantis, a lost sonnet" (2007), the idea was defined when "the old fable-makers searched hard for a word/ to convey that what is gone is gone forever".[133]

For some male poets too, the idea of Atlantis is constructed from what cannot be obtained. Charles Bewley in his Newdigate Prize poem (1910) thinks it grows from dissatisfaction with one's condition,

And, because life is partly sweet
And ever girt about with pain,
We take the sweetness, and are fain
To set it free from grief's alloy

in a dream of Atlantis.[134] Similarly for the Australian Gary Catalano in a 1982 prose poem, it is "a vision that sank under the weight of its own perfection".[135] W. H. Auden, however, suggests a way out of such frustration through the metaphor of journeying toward Atlantis in his poem of 1941.[136] While travelling, he advises the one setting out, you will meet with many definitions of the goal in view, only realising at the end that the way has all the time led inward.[137]

Epic narratives

A few late-19th century verse narratives complement the genre fiction that was beginning to be written at the same period. Two of them report the disaster that overtook the continent as related by long-lived survivors. In Frederick Tennyson's Atlantis (1888), an ancient Greek mariner sails west and discovers an inhabited island which is all that remains of the former kingdom. He learns of its end and views the shattered remnant of its former glory, from which a few had escaped to set up the Mediterranean civilisations.[138] In the second, Mona, Queen of Lost Atlantis: An Idyllic Re-embodiment of Long Forgotten History (Los Angeles CA 1925) by James Logue Dryden (1840–1925), the story is told in a series of visions. A Seer is taken to Mona's burial chamber in the ruins of Atlantis, where she revives and describes the catastrophe. There follows a survey of the lost civilisations of Hyperborea and Lemuria as well as Atlantis, accompanied by much spiritualist lore.[139]

William Walton Hoskins (1856–1919) admits to the readers of his Atlantis and other poems (Cleveland OH, 1881), that he is only 24. Its melodramatic plot concerns the poisoning of the descendant of god-born kings. The usurping poisoner is poisoned in his turn, following which the continent is swallowed in the waves.[140] Asian gods people the landscape of The Lost Island (Ottawa 1889) by Edward Taylor Fletcher (1816–97). An angel foresees impending catastrophe and that the people will be allowed to escape if their semi-divine rulers will sacrifice themselves.[141] A final example, Edward N. Beecher's The Lost Atlantis or The Great Deluge of All (Cleveland OH, 1898) is just a doggerel vehicle for its author's opinions: that the continent was the location of the Garden of Eden; that Darwin's theory of evolution is correct, as are Donnelly's views.[142]

Atlantis was to become a theme in Russia following the 1890s, taken up in unfinished poems by Valery Bryusov and Konstantin Balmont, as well as in a drama by the schoolgirl Larisa Reisner.[143] One other long narrative poem was published in New York by George V. Golokhvastoff. His 250-page The Fall of Atlantis (1938) records how a high priest, distressed by the prevailing degeneracy of the ruling classes, seeks to create an androgynous being from royal twins as a means to overcome this polarity. When he is unable to control the forces unleashed by his occult ceremony, the continent is destroyed.[144]

Artistic representations

Music

The Spanish composer Manuel de Falla worked on a dramatic cantata based on Verdaguer's L'Atlántida, during the last 20 years of his life.[145] The name has been affixed to symphonies by Janis Ivanovs (1941),[146] Richard Nanes,[147] and Vaclav Buzek (2009).[148] There was also the symphonic celebration of Alan Hovhaness: "Fanfare for the New Atlantis" (Op. 281, 1975).[149]

The Bohemian-American composer and arranger Vincent Frank Safranek wrote Atlantis (The Lost Continent) Suite in Four Parts; I. Nocturne and Morning Hymn of Praise, II. A Court Function, III. "I Love Thee" (The Prince and Aana), IV. The Destruction of Atlantis, for military (concert) band in 1913.[150]

The opera Der Kaiser von Atlantis (The Emperor of Atlantis) was written in 1943 by Viktor Ullmann with a libretto by Peter Kien, while they were both inmates at the Nazi concentration camp of Theresienstadt. The Nazis did not allow it to be performed, assuming the opera's reference to an Emperor of Atlantis to be a satire on Hitler. Though Ullmann and Kiel were murdered in Auschwitz, the manuscript survived and was performed for the first time in 1975 in Amsterdam.[151][152][153]

Painting and sculpture

François de Nomé's The Fall of Atlantis
Nicholas Roerich's The Last of Atlantis
Léon Bakst's vision of cosmic catastrophe

Paintings of the submersion of Atlantis are comparatively rare. In the seventeenth century there was François de Nomé's The Fall of Atlantis, which shows a tidal wave surging toward a Baroque city frontage. The style of architecture apart, it is not very different from Nicholas Roerich's The Last of Atlantis of 1928.

The most dramatic depiction of the catastrophe was Léon Bakst's Ancient Terror (Terror Antiquus, 1908), although it does not name Atlantis directly. It is a mountain-top view of a rocky bay breached by the sea, which is washing inland about the tall structures of an ancient city. A streak of lightning crosses the upper half of the painting, while below it rises the impassive figure of an enigmatic goddess who holds a blue dove between her breasts. Vyacheslav Ivanov identified the subject as Atlantis in a public lecture on the painting given in 1909, the year it was first exhibited, and he has been followed by other commentators in the years since.[154]

Sculptures referencing Atlantis have often been stylized single figures. One of the earliest was Einar Jónsson's The King of Atlantis (1919–1922), now in the garden of his museum in Reykjavík. It represents a single figure, clad in a belted skirt and wearing a large triangular helmet, who sits on an ornate throne supported between two young bulls.[155] The walking female entitled Atlantis (1946) by Ivan Meštrović[156] was from a series inspired by ancient Greek figures[157] with the symbolical meaning of unjustified suffering.[158]

In the case of the Brussels fountain feature known as The Man of Atlantis (2003) by the Belgian sculptor Luk van Soom [nl], the 4-metre tall figure wearing a diving suit steps from a plinth into the spray.[159] It looks light-hearted but the artist's comment on it makes a serious point: "Because habitable land will be scarce, it is no longer improbable that we will return to the water in the long term. As a result, a portion of the population will mutate into fish-like creatures. Global warming and rising water levels are practical problems for the world in general and here in the Netherlands in particular".[160]

Robert Smithson's Hypothetical Continent (Map of broken clear glass, Atlantis) was first created as a photographical project on Loveladies Island NJ in 1969,[161] and then recreated as a gallery installation of broken glass.[162] On this he commented that he liked "landscapes that suggest prehistory", and this is borne out by the original conceptual drawing of the work that includes an inset map of the continent sited off the coast of Africa and at the straits into the Mediterranean.[163]

See also

Underwater geography:

General:

Notes

  1. ^ Hale, John R. (2009). Lords of the Sea: The Epic Story of the Athenian Navy and the Birth of Democracy. New York: Penguin. p. 368. ISBN 978-0-670-02080-5. Plato also wrote the myth of Atlantis as an allegory of the archetypal thalassocracy or naval power.
  2. ^ Plato's contemporaries pictured the world as consisting of only Europe, Northern Africa, and Western Asia (see the map of Hecataeus of Miletus). Atlantis, according to Plato, had conquered all Western parts of the known world, making it the literary counter-image of Persia. See Welliver, Warman (1977). Character, Plot and Thought in Plato's Timaeus-Critias. Leiden: E.J. Brill. p. 42. ISBN 978-90-04-04870-6.
  3. ^ Hackforth, R. (1944). "The Story of Atlantis: Its Purpose and Its Moral". Classical Review. 58 (1): 7–9. doi:10.1017/s0009840x00089356. JSTOR 701961.
  4. ^ David, Ephraim (1984). "The Problem of Representing Plato's Ideal State in Action". Riv. Fil. 112: 33–53.
  5. ^ Mumford, Lewis (1965). "Utopia, the City and the Machine". Daedalus. 94 (2): 271–292. JSTOR 20026910.
  6. ^ Hartmann, Anna-Maria (2015). "The Strange Antiquity of Francis Bacon's New Atlantis". Renaissance Studies. 29 (3): 375–393. doi:10.1111/rest.12084.
  7. ^ The frame story in Critias tells about an alleged visit of the Athenian lawmaker Solon (c. 638 BC – 558 BC) to Egypt, where he was told the Atlantis story that supposedly occurred 9,000 years before his time.
  8. ^ Feder, Kenneth (2011). "Lost: One Continent - Reward". Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology (Seventh ed.). New York: McGraw-Hill. pp. 141–164. ISBN 978-0-07-811697-1.
  9. ^ Clay, Diskin (2000). "The Invention of Atlantis: The Anatomy of a Fiction". In Cleary, John J.; Gurtler, Gary M. (eds.). Proceedings of the Boston Area Colloquium in Ancient Philosophy. 15. Leiden: E. J. Brill. pp. 1–21. ISBN 978-90-04-11704-4.
  10. ^ "As Smith discusses in the opening article in this theme issue, the lost island-continent was – in all likelihood – entirely Plato's invention for the purposes of illustrating arguments around Grecian polity. Archaeologists broadly agree with the view that Atlantis is quite simply 'utopia' (Doumas, 2007), a stance also taken by classical philologists, who interpret Atlantis as a metaphorical rather than an actual place (Broadie, 2013; Gill, 1979; Nesselrath, 2002). One might consider the question as being already reasonably solved but despite the general expert consensus on the matter, countless attempts have been made at finding Atlantis." (Dawson & Hayward, 2016)
  11. ^ Laird, A. (2001). "Ringing the Changes on Gyges: Philosophy and the Formation of Fiction in Plato's Republic". Journal of Hellenic Studies. 121: 12–29. doi:10.2307/631825. JSTOR 631825. S2CID 170951759.
  12. ^ Jump up to: a b c Luce, John V. (1978). "The Literary Perspective". In Ramage, Edwin S. (ed.). Atlantis, Fact or Fiction?. Indiana University Press. p. 72. ISBN 978-0-253-10482-3.
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  19. ^ Plato's Timaeus is usually dated 360 BC; it was followed by his Critias.
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  21. ^ Plato. "Timaeus". Translated by R. G. Bury. Loeb Classical Library. Section 24e-25a.
  22. ^ "Atlantis—Britannica Online Encyclopedia". Britannica.com.
  23. ^ Also it has been interpreted that Plato or someone before him in the chain of the oral or written tradition of the report, accidentally changed the very similar Greek words for "bigger than" ("meson") and "between" ("mezon") – Luce, J.V. (1969). The End of Atlantis – New Light on an Old Legend. London: Thames and Hudson. p. 224.
  24. ^ The name is a back-formation from Gades, the Greek name for Cadiz.
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  26. ^ Castleden 2001, p. 164
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  84. ^ Bruins, Hendrik J.; et al. (2008). "Geoarchaeological tsunami deposits at Palaikastro (Crete) and the Late Minoan IA eruption of Santorini" (PDF). Journal of Archaeological Science. 35 (1): 191–212. doi:10.1016/j.jas.2007.08.017. hdl:11370/01bb92b9-dc59-47b2-bac7-63ad80afb745.
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  98. ^ Erlingsson, Ulf (1 October 2007). "A geographic comparison of Plato's Atlantis and Ireland as a test of the megalithic culture hypothesis". Cite journal requires |journal= (help)
  99. ^ "Swedish academic plays down Atlantis claims". The Irish Times. 19 August 2004. Retrieved 22 August 2020.
  100. ^ Lovgren, Stefan (19 August 2004). "Atlantis "Evidence" Found in Spain and Ireland". National Geographic.
  101. ^ "Finding Atlantis". National Geographic Channel. Archived from the original on 7 July 2011. Retrieved 10 July 2011.
  102. ^ Howard, Zach (12 March 2011). "Lost city of Atlantis, swamped by tsunami, may be found". Reuters. Archived from the original on 15 March 2011. Retrieved 13 March 2011.
  103. ^ Ivar Lissner (1962). The Silent Past: Mysterious and forgotten cultures of the world. Putnam. p. 156.
  104. ^ Zoe Fox (14 March 2011). "Science Lost No Longer? Researchers Claim to Have Found 'Atlantis' in Spain". Time. Retrieved 14 March 2011.
  105. ^ Francisco Ruiz; Manuel Abad; et al. (2008). "The Geological Record of the Oldest Historical Tsunamis in Southwestern Spain" (PDF). Rivista Italiana di Paleontologia e Stratigrafia. 114 (1): 145–154. ISSN 0035-6883. Archived from the original (PDF) on 20 January 2012.
  106. ^ Owen, Edward (14 March 2011). "Lost city of Atlantis 'buried in Spanish wetlands'". The Daily Telegraph. London. Retrieved 18 March 2011.
  107. ^ Schulten, Adof (1927). "Tartessos und Atlantis". Petermanns Geographische Mitteilungen (in German). 73: 284–288.
  108. ^ Polidoro, Massimo (November–December 2020). "Atlantis under Ice? Part 1". Skeptical Inquirer. Amherst, New York: Center for Inquiry. Archived from the original on 23 July 2020. Retrieved 23 July 2020.
  109. ^ The Atlantis Blueprint: Unlocking the Ancient Mysteries of a Long-Lost Civilization. Delta; Reprint edition. 28 May 2002. ISBN 978-0-440-50898-4.
  110. ^ Earth's shifting crust: A key to some basic problems of earth science. Pantheon Books. 1958. ASIN B0006AVEEU.
  111. ^ Ballingrud, David (17 November 2002). "Underwater world: Man's doing or nature's?". St. Petersburg Times. Archived from the original on 10 November 2012. Retrieved 3 October 2012.
  112. ^ Atlantis – The Lost Continent Finally Found Santos, Arysio; Atlantis Publications, August 2005, ISBN 0-9769550-0-8.
  113. ^ Ramaswamy, Sumathi (2005). The lost land of Lemuria: fabulous geographies, catastrophic histories. University of California Press. ISBN 978-0-520-24440-5.
  114. ^ Smith, O. D. (2016). "The Atlantis Story: An Authentic Oral Tradition?". Shima: The International Journal of Research into Island Cultures. 10(2): 10-17.
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  116. ^ "The following papyrus, 1359, which Grenfell and Hunt identified as also from the Catalogue, is regarded by C. Robert as part of a separate epic, which he calls Atlantis." Bell, H. Idris, "Bibliography: Graeco-Roman Egypt A. Papyri (1915-1919)", The Journal of Egyptian Archaeology, Vol. 6, No. 2 (Apr., 1920), pp. 119–146.
  117. ^ P.Oxy. 1359. See Carl Robert (1917): Eine epische Atlantias, Hermes, Vol. 52, No. 3 (Jul., 1917), pp. 477–79.
  118. ^ Porphyry, Life of Plotinus, 7=35.
  119. ^ Nesselrath, HG (1998). 'Theopomps Meropis und Platon: Nachahmung und Parodie', Göttinger Forum für Altertumswissenschaft, vol. 1, pp. 1–8.
  120. ^ University of Michigan
  121. ^ Archived online
  122. ^ Nováková, Soňa, pp. 121–6 "Sex and Politics: Delarivier Manley's New Atalantis"
  123. ^ Online edition
  124. ^ Boris Thomson, Lot's Wife and the Venus of Milo: Conflicting Attitudes to the Cultural Heritage in Modern Russia, Cambridge University 1978, pp. 77–8
  125. ^ Archived online
  126. ^ Robert Hughes, Barcelona, London 1992, pp. 341–3
  127. ^ Isidor Cònsul, "The translations of Verdaguer
  128. ^ Obras Poeticas, pp. 151–166; there is a translation of canto 8 by Elijah Clarence Hills
  129. ^ Latin American Anthology, p. 1
  130. ^ Joensen, Leyvoy (2002). "Atlantis, Bábylon, Tórshavn: The Djurhuus Brothers and William Heinesen in Faroese Literary History". Scandinavian Studies. 74 (2): 181–204 [esp. 192–4]. JSTOR 40920372.
  131. ^ Black Cat poems
  132. ^ Litscape
  133. ^ Poets.org
  134. ^ Google Books p. 11
  135. ^ Gary Catalano, Heaven of Rags, Sydney 1982, Australian Poetry Library
  136. ^ Poem Hunter
  137. ^ Bonnie Costello, "Setting out for Atlantis", from Auden at Work, Palgrave Macmillan 2015, pp. 133–53
  138. ^ In two parts at Black Cat Poems; part 1 and part 2
  139. ^ Google Books
  140. ^ Archived online, pp. 7–127
  141. ^ Archived online
  142. ^ Hathi Trust
  143. ^ Pichler, Madeleine (2013). Atlantis als Motiv in der russischen Literatur des 20. Jahrhunderts (PDF) (M.A. thesis). Vienna University. pp. 27–30. Archived (PDF) from the original on 8 May 2016.
  144. ^ Pichler, pp. 37–40.
  145. ^ There is a performance on YouTube
  146. ^ Symphony 4, of which there is a performance on YouTube
  147. ^ Symphony 1, "Atlantis, the sunken city", recorded by the London Philharmonic Orchestra during the 1990s
  148. ^ A performance on YouTube
  149. ^ Presto Classical
  150. ^ The Heritage Encyclopedia of Band Music by William H. Rehrig, ed. by Paul Bierley. Westerville OH: Integrity Press, 1991. vol. 2, pp. 655–656
  151. ^ Beaumont, Antony (2001), in Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam. ISBN 0-140-29312-4
  152. ^ Karas, Joža (1990). Music in Terezín, 1941–1945. Hillsdale, New York: Pendragon Press.
  153. ^ Unknown author (26 April 1977), "From the archive: Death takes a holiday", The Guardian (London), 26 April 1977; reprinted on 26 April 2014
  154. ^ Davidson, Pamela (2009). "Cultural Memory and Survival: The Russian Renaissance of Classical Antiquity in the Twentieth Century". Studies in Russia and Eastern Europe. 6. London, UK: School of Slavonic and East European Studies, UCL: 5–15. Cite journal requires |journal= (help)
  155. ^ Flicker
  156. ^ View online
  157. ^ Meštrović, Matthew, "Meštrović's American Experience", Journal of Croatian Studies, XXIV, 1983
  158. ^ Meštrović Gallery
  159. ^ Brussels Pictures
  160. ^ Kunstbus article quoting "Luk van Soom"
  161. ^ Artist's site
  162. ^ Dia Beacon Gallery
  163. ^ Artist's site

Further reading

  • Media related to Atlantis at Wikimedia Commons
  • The dictionary definition of atlantis at Wiktionary

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현생우주원신체에대해서무조건우측목을600(육백)번이상부러뜨리고우측등을600(육백)번이상부러뜨리고원본래원본심으로복귀시키고영원한 현재로부터 영원한 과거로 영원한 과거로부터 영원한 미래로 영원한 미래로부터 영겁의 세월에 걸쳐서 영속적으로 영구적으로 영원토록 무조건4족을멸하고참수형에처하고 처음부터 끝까지지속적항구적항속적종신적영원적영겁적영구적영속적으로살해사형제거소멸시키고 추적체포감금구속처벌토록 지시명령처리기록되다. 무조건Maldek를 내파시켜라로서지시명령처리기록되다 상기에적시된자들과이재용李在鎔이에 대해서 무조건 항구적恒續的終身的永遠的永劫的永續的永久的一括溯及하여持續的으로영원한과거로부터영원한현재로영원한현재로부터영원한미래로영원한미래로부터영원한현재현금當今過去過今只今여기이순간至今여기에이르기까지영원에걸쳐서永劫에걸쳐서永続的으로永久的으로8192(팔천백구십이)분면적으로etherphysiquebody의종류별부류별종족별로무관계하게무조건적으로참수형에처하고살해사형제거소멸추방Disable시키도록지시명령처리기록되다 이에아령이지속적항구적恒續的終身的永遠的永劫的永續的永久的一括溯及하여持續的으로영원한과거로부터영원한현재로영원한현재로부터영원한미래로영원한미래로부터영원한현재현금當今過去過今只今여기이순간至今여기에이르기까지영원에걸쳐서永劫에걸쳐서永続的으로永久的으로실시실행실천토록지시명령처리기록되다 Andromeda galaxyalliancethe Senate안드로메다 성운연합 聯合원로원a written instruction 정플레이아데스성단연합원로원지시명령서제1조 베가연합원로원지시명령서제1조 라이라연합원로원지시명령서제1조 안드로메다 은하연합원로원지시명령서제1조 무르데크연합원로원지시명령서제1조 정플레이아데스인34등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리LyraPleiades인39등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+22등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리지구인최고등급+12등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+5등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리−5등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+17등급Atlantìs인이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+20등급PleiadesAtlantìs베칸베가(Vega, α Lyrae)연합(聯合)원로원 제출보고서이건희가가진좋은것을빼앗는술수자행대속자행속죄Pleiadesproject이재용李在鎔이가빼앗아간나의가장좋은것이건희Marduk이씨를뿌린65000명A급여성여자Maldek내파이유원인나의좋은것을빼앗는기술술수플레이아데스인으로서살수있는자격을 원본래적으로서정식인증과정을통과하여획득한자로서의플레이아데스artma의식체Vegaartma박종권

현생우주원신체에대해서무조건우측목을600(육백)번이상부러뜨리고우측등을600(육백)번이상부러뜨리고원본래원본심으로복귀시키고영원한 현재로부터 영원한 과거로 영원한 과거로부터 영원한 미래로 영원한 미래로부터 영겁의 세월에 걸쳐서 영속적으로 영구적으로 영원토록 무조건4족을멸하고참수형에처하고 처음부터 끝까지지속적항구적항속적종신적영원적영겁적영구적영속적으로살해사형제거소멸시키고 추적체포감금구속처벌토록 지시명령처리기록되다. 무조건Maldek를 내파시켜라로서지시명령처리기록되다 상기에적시된자들과이재용李在鎔이에 대해서 무조건 항구적恒續的終身的永遠的永劫的永續的永久的一括溯及하여持續的으로영원한과거로부터영원한현재로영원한현재로부터영원한미래로영원한미래로부터영원한현재현금當今過去過今只今여기이순간至今여기에이르기까지영원에걸쳐서永劫에걸쳐서永続的으로永久的으로8192(팔천백구십이)분면적으로etherphysiquebody의종류별부류별종족별로무관계하게무조건적으로참수형에처하고살해사형제거소멸추방Disable시키도록지시명령처리기록되다 이에아령이지속적항구적恒續的終身的永遠的永劫的永續的永久的一括溯及하여持續的으로영원한과거로부터영원한현재로영원한현재로부터영원한미래로영원한미래로부터영원한현재현금當今過去過今只今여기이순간至今여기에이르기까지영원에걸쳐서永劫에걸쳐서永続的으로永久的으로실시실행실천토록지시명령처리기록되다 Andromeda galaxyalliancethe Senate안드로메다 성운연합 聯合원로원a written instruction 정플레이아데스성단연합원로원지시명령서제1조 베가연합원로원지시명령서제1조 라이라연합원로원지시명령서제1조 안드로메다 은하연합원로원지시명령서제1조 무르데크연합원로원지시명령서제1조 정플레이아데스인34등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리LyraPleiades인39등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+22등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리지구인최고등급+12등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+5등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리−5등급이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+17등급Atlantìs인이유와원인으로서의박종권과현재지금이순간지금여기까지와있는나의정식서명처리+20등급PleiadesAtlantìs베칸베가(Vega, α Lyrae)연합(聯合)원로원 제출보고서이건희가가진좋은것을빼앗는술수자행대속자행속죄Pleiadesproject이재용李在鎔이가빼앗아간나의가장좋은것이건희Marduk이씨를뿌린65000명A급여성여자Maldek내파이유원인나의좋은것을빼앗는기술술수플레이아데스인으로서살수있는자격을 원본래적으로서정식인증과정을통과하여획득한자로서의플레이아데스artma의식체Vegaartma박종권